2012 Year in Review

It was another banner year for Ian Shive, the photographer. As many of you know, most of my time is dedicated towards enhancing the careers of over 400 other photographers via my stock photography and motion clip licensing agency, Tandem Stills + Motion, Inc. and as an instructor of photojournalism and advanced photojournalism at one of the world’s leading educational institutions, the University of Southern California.

Tandem had its own banner year with a major expansion and our first retail store. But beyond the accolades of the agency, I’ve also had a stellar year working for some of my favorite clients in some of the wildest places on the planet.

One of my personal favorite achievements was the cover of The Nature Conservancy magazine for my story on the Tehachapi Wildlife Corridor. I am also proud to capture the cover of National Parks magazine for my story on Hidden Yosemite.
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I was also fortunate enough to take the 2011 Annual Report cover and accompanying interior spreads for TNC, photographed in Hawaii, and their Caribbean Division Report, photographed in Cuba, both were long form assignments that allowed me to spend time in the warm climates of these radically different but no less stunningly beautiful locations.










Additionally, I had yet another cover and major interior spreads for the Sierra Club’s 2011 Annual Report.

In addition to the above, I was also fortunate to visit Southern Chile where I photographed images of the Valdivian Coastal Reserve, a new reserve launched by several environmental non-profits including The Nature Conservancy. For a week I photographed artisan fishing efforts, coastal restoration and wild, raw landscapes.

The Nature Conservany Annual Report Photo Shoot / Valdivia, Chile

One of my aerial images from Palau was also ranked one of the most popular images in National Geographic’s Travel 365 collection.

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As if all of this wasn’t enough, I also managed to squeak out my first photography field guide in a form of an App available for the iPad in the iTunes Store, I was profiled in Travel & Leisure Magazine and conducted one of the best radio interviews of my  life on Los Angeles’ 95.5 KLOS Classic Rock station.

In a more memorable moment, one of my color images that looks black & white was hung next to Ansel Adam’s image that inspired it at the famous G2 Gallery in Venice, California.

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I also announced my first workshop taking place at my beloved Channel Islands National Park. In partnership with the Santa Fe Photographic Workshops, the G2 Gallery (where I’ll be conducting my first exhibit in April 2013) and the Channel Islands Park Foundation.


There were many other publications that ran my images including Lonely Planet, AARP, Mosaic, Men’s Journal, National Geographic Books, Sunset, Visit Montana and more.  I can not express enough my gratitude for the support that these organizations give to me by allowing me the opportunity to capture these important issues and bring them to the world in their publications. I can only imagine what 2013 will be like. Stay tuned!

Ian Shive: Cinematography Demo Reel

For the last two years, leading conservation photographer Ian Shive has traveled the planet photographing some of the world’s wildest places . Now for the first time ever he is sharing a secret – broadcast quality HD footage that was shot on location at the same time as the photos. In just a few minutes, you’ll experience some of our planets most stunning landscapes in a dream-like montage including Palau, Micronesia, underwater worlds of Cuba, Yosemite National Park, California, the Cayman Islands, Glacier National Park, Montana, Channel Islands National Park, California, Valdivia Coastal Reserve, Chile, the lower Himalayan Mountains, India, Yellowstone National Park, Wyoming, the Taj Mahal, India, Grand Teton National Park, Wyoming, Salt Lake, Utah, Antelope Valley, California, The Island of Hawaii, Maui, Hawaii, Rishikesh and the Ganges River, India, and Vrindivan, India among others.

[vimeo 57244431]

Produced by Tandem Stills + Motion, Inc. Edited by Ian Maliniak. Music by M83.